DIVOX - appassionatamente dedicated to chamber music
- Ensemble CappellAntiqua
- Accademia Strumentale Italiana
- James Alexander
- Amati Quartett
- Andreas Trio
- Belcanto Strings
- Arturo Benedetti Michelangeli
- Birnauer Kantorei
- Paolo Bordoni
- Jutta Bosch
- Brandenburgische Philharmonie Potsdam
- Martin A. Bruns
- Franz Burgert
- Maria Callas
- Bruno Canino
- Giuliano Carmignola
- Milana Chernyavska
- Christophorus Kantorei & Orchester
- Consortium Classicum
- Coro della SAT
- Eddie "Lockjaw" Davis
- Ensemble Aisthesis
- Ensemble Diferencias
- Ensemble Il Trittico
- Ensemble Tiramisù
- Ensemble peregrina
- Eos Guitar Quartet
- Frankenberger Chöre
- Andreas Fröhlich
- Werner Genuit
- Jean Goverts
- Peter Lukas Graf
- David Greenlees
- Stefano Grondona
- Tuija Hakkila
- Claudius Herrmann
- Peter Hörr
- Yuka Imamine
- Roberta Invernizzi
- Kammersolisten Zug
- Heinrich Keller
- Anna Kravtchenko
- Alain Kremski
- Anahit Kurtikyan
- Kolja Lessing
- Kirk Lightsey
- Los Muñequitos de Matanzas
- Andrea Marcon
- Sergio Marini
- Dariusz Mizera
- Stefano Molardi
- Marie Nishimaya
- Esther Nyffenegger
- Adeline Oprean
- Paolo Pandolfo
- Wolfhard Pencz
- Daniel Pezzotti
- Quintetto Arnold
- Ravinia Trio
- Saiko Sasaki
- Rudolf Scheidegger
- Rainer Schmidt
- Atsuko Seki
- Alexander Shtarkman
- Sonatori de la Gioiosa Marca
- Soundroots Quartet
- Conrad Steinmann
- The Earle His Viols
- Trio Rippas
- Uriel Tsachor
- Evelyn Tubb
- Virtuosi Delle Muse
- Peter Waters
- Gérard Wyss
- Omar Zoboli
- Zürcher Oboenquartett
Amati Quartett
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The Amati Quartet, founded in 1981, won the Premier Grand Prix at the International Competition of Evian in France in 1982, after studying with the Alban Berg Quartet in Vienna. It obtained valuable impulses from its work with the Amadeus Quartet, the Bartok Quartet and with Walter Levin, the leader of the LaSalle Quartet. The four musicians concentrate above all on Classical and Romantic quartet literature. Moreover, they frequently enhance their programs by bringing together traditional masterpieces and little-known compositions of great value, for example, works by Szymanowski, Tailleferre, Thomas etc. Their interest in contemporary music is documented by a number of world premieres.